Art has the remarkable ability to transcend borders, bringing together diverse cultures, perspectives, and creative voices. Celebrating this spirit of connection, Classic Gallery presents an international exhibition featuring the works of 12 artists from China, Hong Kong, Singapore, and Nepal. Known for organizing international exhibitions annually, the gallery fosters cross-cultural dialogue, artistic collaboration, and experimentation with innovative concepts and media. Beyond showcasing artwork, it creates valuable opportunities for artists to engage with wider audiences and exchange creative ideas. The exhibition opened on 23 May and will continue until 29 June, inviting visitors to explore a vibrant collection of contemporary artistic expressions from across Asia.
Krishna Gopal Shrestha’s artworks emerge from a deep concern for the gradual disappearance of Nepal’s culture, religion, traditions, and historical heritage. As modern influences continue to overshadow the past, the artist seeks to preserve these fading narratives through his paintings. By blending traditional artistic forms with contemporary expression and personal emotions, he gives heritage a renewed voice. His works serve as both artistic creations and acts of preservation, reflecting his ongoing research into the cultural treasures that surround Nepal. Through his art, he encourages viewers to reconnect with and value the rich legacy that shapes their identity.
Prabin Krishna Shrestha’s artworks are born from careful observation and the quiet discoveries often overlooked in everyday life. Drawing inspiration from memories of his childhood, the artist revisits moments filled with emotion, nostalgia, and human connection. Through his paintings, he captures the warmth of simpler times, inviting viewers to reflect on the values, relationships, and experiences that continue to shape collective identity. One of the paintings is a monochromatic landscape that appears calm and nostalgic, depicting a hillside village resting quietly above a winding path. Yet the artwork’s true focal point is not the settlement but the oversized flower floating above it. At its center lies a striking red-and-black form resembling an eye, immediately disrupting the serenity of the scene. The flower can be interpreted as a symbol of awareness, memory, or even surveillance. Its watchful presence hovers over the village like a silent guardian, suggesting that nature itself observes human existence. The limited color palette intensifies the emotional impact of the single red accent, drawing the viewer’s attention to the flower’s center. This deliberate contrast transforms the work from a simple landscape into a reflection on coexistence, identity, and the enduring presence of nature within human civilization.
Pradip Kumar Bajracharya vividly captures the spirit of Newari culture and traditional festivals through colourful compositions enriched with dynamic textures and expressive brushstrokes. His paintings convey the energy, movement, and emotions that define these vibrant celebrations. Growing up in Kathmandu and witnessing these cultural events firsthand, the artist portrays them as powerful expressions of shared values, collective memory, and cultural identity.A painting bathed in vibrant shades of gold, amber, and orange, this painting captures the energy of communal life. Human figures emerge from expressive brushstrokes rather than detailed outlines, creating a sense of collective presence rather than individual identity. The warm palette dominates the composition, filling the scene with light and vitality. The artist captures a feeling: the warmth of belonging, the rhythm of everyday life, and the invisible connections that bind people together. The loose brushwork allows the scene to exist between reality and memory, as though the viewer is witnessing a cherished recollection slowly illuminated by sunlight. Through color and gesture, the painting becomes a celebration of human connection and the enduring spirit of collective life.
Nilesh Shakya’s work in this exhibition is inspired by the concept of Pancha Mahabhut—the five great elements that form the foundation of life. Rooted in Eastern philosophy, these elements are believed to constitute all existence on Earth. Through his art, the artist explores the profound connection between nature and humanity. Water represents the vital fluids within the body, fire symbolizes the force of metabolism, air reflects movement and circulation, while the remaining elements complete the balance of existence. The human hand itself embodies these five elements, illustrating the inseparable bond between the natural world and human life.
Suchin Shrestha’s artwork explores emotions, inner struggles, and personal experiences through powerful visual expression. His paintings reflect moments of self-reflection, uncertainty, and emotional complexity that evolve over time. Expressive lines and a varied colour palette create an atmosphere that balances silence with intensity, inviting viewers into a deeply personal yet relatable space. Rather than offering definitive answers, the work encourages contemplation, allowing audiences to
Sujan Bir Bajracharya’s artwork explores the relationship between food, culture, and identity within the Kathmandu Valley. Inspired by personal memories and local traditions, his work highlights how food is far more than nourishment—it carries stories, customs, and cultural values passed down through generations. Through each carefully depicted dish, he celebrates the valley’s rich culinary heritage while examining how food preserves culture, shapes identity, and strengthens connections to one’s roots. At first glance, this artwork appears simple—a glowing oil lamp placed against a bold background. However, the painting carries deep cultural and spiritual significance. The lamp, or diya, represents light, wisdom, hope, and the triumph of positivity over darkness. Its warm golden glow becomes the focal point of the composition, immediately drawing the viewer’s attention. The striking contrast between the fiery red background and the cool blue circle creates a visual balance between energy and tranquility. The artist seems to suggest that even a small flame possesses the power to illuminate vast darkness.
These works by Sanjeet Maharjan is inspired by the artist’s experiences with meditation, yoga, and sound healing. Through these paintings, he explores the flow of energy within the body and the sense of peace, awareness, and transformation that emerges through healing and self-reflection. Rather than depicting physical reality, the artist focuses on emotional and spiritual experiences. Guided by intuition, his colours and compositions express calmness, positive energy, and the interconnectedness of the body, mind, and nature. For the artist, art serves as a medium for sharing reflection, healing, and emotional resonance. One of his paintings presents a graceful female figure in a yoga-like pose, surrounded by a radiant sunflower that resembles a glowing halo. The golden palette fills the painting with warmth, light, and positivity, symbolizing personal growth, enlightenment, and inner strength. Floating lotus flowers and calm waters in the foreground further enhance the sense of peace and spiritual balance. The artwork explores the connection between the human spirit and nature. The sunflower, often associated with vitality and optimism, becomes a powerful symbol of transformation and self-discovery. Through the elegant posture of the figure and the luminous atmosphere, the artist expresses themes of mindfulness, resilience, and harmony.
Rajan Kumar Pant’s artworks offer expressive glimpses into the landscapes, traditions, and everyday life of Nepal. Working in an expressionistic style, he captures the essence of people, places, and cultural experiences through vibrant forms and dynamic compositions. His recent explorations focus on jatras and the sacred dances of deities performed within Nepal’s ancient Durbar Squares. One of his artwork beautifully captures the festive atmosphere of a traditional Newari celebration in the heart of the Kathmandu Valley. Dominated by historic temple architecture and warm sunset tones, the painting highlights the rich cultural identity of Nepal. The figures dressed in traditional costumes and masks bring a sense of movement and energy, reflecting the spirit of local festivals and community gatherings. The artist skillfully combines architecture, ritual, and everyday life to create a lively scene that celebrates collective memory and cultural continuity. The bustling crowd, sacred structures, and ceremonial performers emphasize how festivals serve as a bridge between generations, preserving traditions while strengthening social bonds. Through its vivid colours and dynamic composition, the painting conveys pride in Nepal’s living heritage and the enduring vitality of Newari culture.
Ge Xinmin is a distinguished artist and cultural ambassador whose career has been dedicated to fostering artistic exchange between nations. He is a member of the Japan Artists Association, President of the Japan International Art Exchange Association, and Vice President of the All Japan China Artists Association. Throughout his career, he has held more than forty solo exhibitions and participated in numerous international art exchange programs. His artistic practice focuses on ink painting, traditional Chinese painting, and the study of Buddhist art, reflecting a deep respect for cultural heritage and spiritual traditions.
This expressive painting portrays a female figure immersed within a lush, dreamlike natural environment. Soft brushwork and flowing forms blur the boundaries between the human body and the surrounding landscape, creating a sense of unity between humanity and nature. The gentle smile and relaxed posture of the figure evoke feelings of freedom, serenity, and contentment. The artist depicts it as an extension of human emotion and identity. The earthy colours, organic textures, and loosely defined forms create an atmosphere that feels both intimate and timeless. The painting celebrates the beauty of coexistence with nature, suggesting that true peace and self-understanding can be found through a deeper connection with the natural world.
Fish Jaafar is recognized for creating large-scale artworks that are both visually compelling and deeply connected to the communities they inhabit. Working primarily in a figurative style, he believes that storytelling is most effectively communicated through traditional two-dimensional art. One of his paintings transports the viewer into a dreamlike natural sanctuary. A majestic waterfall cascades through lush greenery into a crystal-blue pool filled with people enjoying the refreshing water. The vibrant greens and blues create a feeling of harmony, vitality, and freedom. The figures are painted small in comparison to the landscape, emphasizing humanity’s connection to and dependence on nature. The waterfall symbolizes renewal and the continuous flow of life, while the playful swimmers represent joy, community, and escape from daily pressures. There is a sense of innocence and timelessness in the scene, as if the artist is inviting us to remember a world where humans and nature coexist peacefully. The painting serves as both a celebration of natural beauty and a reminder to preserve the environments that bring us peace and happiness.
Monica Chang, also known as Yuho, is an artist whose practice spans painting, ink, and mixed media. Born in Hong Kong, she has lived in cities such as Tokyo, Hawaii, Las Vegas, and Los Angeles, experiences that have shaped her multicultural perspective and creative vision. Having studied at The Art Students League of New York, she continues to explore new techniques, materials, and styles. Her work celebrates creativity, emotional expression, and the freedom to transcend artistic boundaries. One of her artworks exhibited explores emotion through movement rather than representation. Instead of depicting recognizable figures or landscapes, the artist allows color and fluidity to become the subject itself. Swirls of turquoise, crimson, violet, black, and soft pink drift across the white surface like currents of thought, creating forms that seem to emerge and dissolve simultaneously. The absence of fixed imagery invites viewers to project their own emotions and experiences onto the work. The work celebrates spontaneity and impermanence. Each color appears to interact with the others organically, creating a visual record of movement and chance.
Born in Zibo, Shandong Province, Zhang Lianming is a professional painter whose work reflects both technical mastery and a deep engagement with contemporary Chinese art. He is affiliated with the China Academy of Fine Arts and has established himself as a respected figure within the artistic community. Through both his artistic and editorial work, Zhang continues to play an important role in preserving and advancing the rich traditions of Chinese visual culture.
His painting shows a group of women gathered by the water, sharing a quiet and natural moment together. As viewers, we feel like we are standing nearby, observing their interactions and wondering about their conversations. The warm colors and peaceful atmosphere create a sense of calm and nostalgia, making the scene feel both personal and familiar. The artist uses soft, loose brushstrokes and gentle washes of color rather than sharp details, allowing the figures to blend naturally with the light and surroundings. Through this expressive technique, the artist focuses less on individual identities and more on the feeling of connection, movement, and the beauty of everyday life.
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