Bangdel’s legacy on Display

Sunil Raj Dhakal
Sunil Raj Dhakal September 18, 2024
4 Min Read
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Lain S. Bangdel: My Devotion to Art Takpa Gallery (Sept 7- 22, 2024) (english.Khojpatra.com)

The Nepali art scene has a relatively short but rich history, marked by significant development over the years. Many artists have worked tirelessly to elevate Nepali art to new heights. In its early stages, some of the country’s senior artists, like Sashi Bikram Shaha, Batsa Gopal Baidhya, and the entire SKIB group, pursued their art education in India. A pivotal moment in Nepali art history occurred when King Mahendra visited London, where he encountered Lain Singh Bangdel, a renowned artist from Darjeeling. Deeply impressed, the king invited Bangdel to Nepal, offering him honorary citizenship. This gesture brought fresh inspiration and momentum to Nepal’s evolving art scene.

Lain S. Bangdel: My Devotion to Art Takpa Gallery (Sept 7- 22, 2024) (english.Khojpatra.com)
Landscape II, 1986
104 x 173 cm
Oil on canvas

The offer was enticing, and Bangdel accepted it immediately, as it had always been his childhood dream to return to Nepal and serve his beloved motherland. Upon his arrival, he was provided with a residence and granted prestigious positions, including Chancellor of the Royal Nepal Academy. Under his leadership, the Nepal Art Council was also established. Students studying in Nepal at the time were exposed to modern art for the first time through Bangdel’s influence, drawing inspiration from his work and modernist approach, which significantly impacted their own artistic journeys.

Jeevan Rajopadhyay, one of Bangdel’s students, reflects on his mentor: “He was a master artist, with exceptional artworks and an extraordinary use of color palettes.” The influence of his style and technique is evident in many of the artworks displayed in the exhibition, carrying forward certain attributes seen in his own paintings.

Lain S. Bangdel: My Devotion to Art Takpa Gallery (Sept 7- 22, 2024) (english.Khojpatra.com)
Right: Balkrishna Sama, 1974(64 x 53 cm), Oil on canvas.  Left: Self Portrait, 1958, (48 x 41 cm) Oil on canvas

The veteran artist Lain Singh Bangdel passed away on October 15, 2002. After his demise, his daughter, Dr. Dina Bangdel, carefully preserved his artworks for years. However, it has been quite some time since his pieces were last displayed in an exhibition. Some of his works were showcased in galleries in the United States, organized by his grandson Deven Shakya Bangdel and son-in-law Bibhakar Shakya.

The home and legacy of Lain Singh Bangdel remain in Nepal, where many of his paintings from that era have been safely stored. However, due to years of being kept untouched, the artworks were in urgent need of restoration. After their restoration, these paintings are now being exhibited for the first time in years at the Takpa Gallery in Lazimpat. The exhibition, showcasing Bangdel’s works from 1953 to 1991, will run until September 22, 2024.

Lain S. Bangdel: My Devotion to Art Takpa Gallery (Sept 7- 22, 2024) (english.Khojpatra.com) Parting Scene Muna Madan, 1957 76 x 61 cm Oil on canvas Courtesy: Dolma Chonzom & Tsherin Sherpa Collection
Right: Sunrise on Mt. Fishtail, 1973(84 x 65 cm),Oil on canvas.    Left: Parting Scene Muna Madan, 1957 (76 x 61 cm)Oil on canvas

Deven Shakya Bangdel, the grandson of Lain Singh Bangdel, shares that his grandfather’s legacy has endured through the years, and it is important for young artists in Nepal to understand and experience Bangdel’s art firsthand. He encourages aspiring artists to visit Takpa Gallery, where a collection of Bangdel’s abstract, figurative, and landscape works are on display, offering a rare glimpse into the mastery of one of Nepal’s most iconic artists.

Lain S. Bangdel: My Devotion to Art Takpa Gallery (Sept 7- 22, 2024) (english.Khojpatra.com)
Reclining Nude, 1953
46 x 61cm
Oil on canvas
Sunil Raj Dhakal

Sunil Raj Dhakal is a dedicated art journalist, critic, and cultural advocate who has spent nearly a decade documenting and promoting Nepal's visual arts landscape. Through Khojpatra, he has created a unique platform devoted exclusively to art, offering insightful critiques that encourage, inspire, and elevate artists rather than merely evaluate them. His writing bridges artists and audiences preserving creative narratives while fostering a deeper appreciation of art in society. With unwavering commitment, he continues to champion Nepal's artistic community and contribute significantly to the country's cultural discourse.

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