Diverse array of artists from Nepal and around the world

Sunil Raj Dhakal
Sunil Raj Dhakal September 8, 2024
6 Min Read
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From 6th September to 10th of September, the gallery at the Taragaon Next is bustling up with a new exhibition entitled Kathmandu International Art Exhibition. This dynamic event brings together a diverse array of artists from Nepal and around the world. The exhibited artworks, crafted by both national and international talents, are not only rich in aesthetic appeal but are also certain to captivate and inspire art enthusiasts, collectors, and creators alike.

The exhibition features the artwork of 21 national and international artists, each showcasing their creativity in unique and diverse ways. Among them is Kapil Mani Dixit, a curator and an artist renowned for his exploration of nude aesthetics, who has contributed two of his distinctive paintings to the exhibition.

Manish Lal Shrestha, one of the participating artists and the founder of the MCube art gallery, has crafted and showcased a visually captivating cushion art for the exhibition. The cushion features intricate and colorful lines, reflecting the artist’s unique aesthetic vision and creative expression. Similarly, Dr. Subodh Sagar Dhakal has presented the art-work where he has presented the concept of a tiger pulling off the dress of a woman. The title of the art-work is given as ‘Chirharan’ and it resembles to the mythological idea of mythological tale of Mahabharata where Draupadi whom the Dushashan tried to make nude in-front of all the council members of the Hastinapur court.

Similarly, Roshan Pradhan, the director of Pagoda Group, has created a fusion of robot and deity in his painting. Known for his attention to aesthetic details and his intricate portrayal of human figures, Pradhan has showcased his work in this exhibition. Likewise, Pradhumna Shrestha, also known as Pradeep and a member of the Pagoda Group, has presented his artwork titled Shangri-La, capturing the enigmatic essence of Basantapur Durbar Square with its striking use of color and tone. Another Pagoda Group member, Mala Shrestha, has contributed her piece titled Blessing, where she depicts the serene beauty of flowing water in a fountain with artistic finesse.

Roshan Bhandari, another participating artist, has presented an evocative imagery of a woman on canvas. His artwork combines aesthetic appeal with a sense of unfinished potential, inviting viewers to imagine where the artist’s creative journey might continue. Similarly, Asha Dangol has showcased a 3D wooden gun, symbolizing the prevalence of firearms in today’s world and reflecting his belief that the world has become an increasingly unsafe place. Pratima Thakali’s work, titled If They Ever Return, includes both painting and installation, with her paintings depicting birds in flight against a blue sky. Bidhata KC has contributed a piece titled Threshold, which reflects the topography of Mustang, capturing the rugged beauty of the region.

Similarly, Nepali artist Prithvi Shrestha has presented a painting titled Still Alive, depicting a human figure with fish in its eyes. The artwork also features paper boats, reminiscent of the simple joy experienced by children. Another participating artist, Roshan Mishra, has showcased his piece titled Geometrical Thought, where he explores vibrant shapes and forms, using colorful geometric patterns to convey his artistic vision.

AI Vargas, an artist from the Philippines, has depicted the serene landscapes and rural life of his homeland in his painting. Meanwhile, Bosuk Lee from Korea presents a powerful image of a beautiful Korean woman at the center of his artwork, titled A World of Stories, bathed in soft blue hues. Similarly, Dora Labora, a participating artist from the United States, uses vibrant colors in her painting King Simbiotico (The Corals Guardian), capturing the free, enterprising spirit through fascinating representations of her thoughts. Her piece, at first glance, evokes the essence of a mural for the viewer.

Jang Jungwha, a Korean artist, captures her rich cultural heritage and personal memories in her paintings, both of which are distinguished by their deep blue hues and vibrant color. From Japan, Keiichiro Kimori presents a delicate painting of a human figure viewed from behind. This work features a unique texture and intricate details that art lovers are sure to appreciate. Meanwhile, Bhutanese artist Kunzang Wangmo portrays a female figure in her painting titled Deliverance. The artwork depicts a woman gazing upward, embodying dreams and aspirations as she looks towards the future.

Paretas Hutanggura, an artist from the Philippines, skillfully intertwines machines with a beautifully rendered lady in his painting. This work symbolizes humanity’s future, as machines increasingly dominate our lives, suggesting that they might eventually surpass human civilization. Dr. Prakash Kishore from India presents Whispering Mood, a painting featuring a sofa surrounded by various floral and leafy images. This unique piece offers viewers an intriguing visual experience. Roy Espinosa, another artist from the Philippines, explores the delicate balance between nature and love in his artwork. His use of minimalistic colors enhances the aesthetic appeal of his paintings. Thai artist Sajja Sajjakul contributes a striking piece to the exhibition. His painting, Orbit, incorporates powerful imagery of skulls, eyes, and flowers, creating a visually compelling artwork.

Sunil Raj Dhakal

Sunil Raj Dhakal is a dedicated art journalist, critic, and cultural advocate who has spent nearly a decade documenting and promoting Nepal's visual arts landscape. Through Khojpatra, he has created a unique platform devoted exclusively to art, offering insightful critiques that encourage, inspire, and elevate artists rather than merely evaluate them. His writing bridges artists and audiences preserving creative narratives while fostering a deeper appreciation of art in society. With unwavering commitment, he continues to champion Nepal's artistic community and contribute significantly to the country's cultural discourse.

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