At the distinguished halls of Nepal Academy of Fine Arts (NAFA), a quiet yet deeply resonant exhibition has taken shape. This time, the space is devoted to a solo presentation by veteran artist Radhe Shyam Mulmi, whose works reflect a rare harmony between life and art. Marked by an unassuming simplicity and a sense of inner sanctity, his creations echo the very ethos by which he has lived-measured, sincere, and contemplative. The exhibition, titled Pratibimba-meaning “reflection” or “self-image”-opened on April 11 and continues through April 13, offering an intimate glimpse into the artist’s lifelong journey.
Like many artists shaped by time and experience, Mulmi’s life has traversed both struggle and growth. Originally from Pokhara, he moved to Kathmandu to pursue his artistic aspirations. He studied at the Nepal Lalitkala Campus, where he completed his intermediate education in fine arts. His dedication soon led him beyond borders, as he earned a scholarship to continue his higher studies in Pakistan, where he completed both his bachelor’s and master’s degrees. Upon returning to Nepal, Mulmi devoted himself to teaching, nurturing generations of young artists. Today, many prominent names in the contemporary Nepali art scene trace their roots back to his mentorship-a legacy that quietly underscores his influence.
Mulmi’s artistic language is as distinctive as his journey. His choice of colors, his interpretation of form, and his way of seeing the world set him apart from his contemporaries. There is a thoughtful restraint in his palette and a depth in his compositions that invite prolonged contemplation. The subjects he explores often carry a quiet intensity-at times deeply personal, at times universally evocative-making his work both introspective and inspiring. For many emerging artists, his creations have become a source of guidance and creative awakening.
The opening day of the exhibition was further enriched by the screening of a documentary produced by Jivnath Dhamala. The film offered a layered portrayal of Mulmi’s life, artistic journey, and philosophical outlook. Its depth and sensitivity resonated strongly with the audience, prompting reflections from fellow artists who spoke about the enduring significance of his work and contribution to Nepali art.
In recognition of his longstanding involvement with the Commercial Artist Association of Nepal (CAAN), members of the association also felicitated him during the program. The gesture served not only as an acknowledgment of his artistic achievements but also as a tribute to his role as a mentor, guide, and quiet pillar within the artistic community.
Pratibimba, in essence, is more than an exhibition-it is a reflective space where a life devoted to art gently unfolds. Through his works, Mulmi invites viewers to pause, to look inward, and to engage with the subtle interplay between experience and expression.
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